'The silence at the moment of execution and for a moment or two continuing thereafter, a silence but emphasized by the regular wash of the sea against the hull or the flutter of a sail caused by the helmsman’s eyes being tempted astray, this emphasized silence was gradually disturbed by a sound not easily to be verbally rendered. Whoever has heard the freshet-wave of a torrent suddenly swelled by pouring showers in tropical mountains, showers not shared by the plain; whoever has heard the first muffled murmur of its sloping advance through precipitous woods, may form some conception of the sound now heard. The seeming remoteness of its source was because of its murmurous indistinctness since it came from close-by, even from the men massed on the ship’s open deck. Being inarticulate, it was dubious in significance further than it seemed to indicate some capricious revulsion of thought or feeling such as mobs ashore are liable to, in the present instance possibly implying a sullen revocation on the men’s part of their involuntary echoing of Billy’s benediction.'
'The details of this closing formality it needs not to give. But when the tilted plank let slide its freight into the sea, a second strange human murmur was heard, blended now with another inarticulate sound proceeding from certain larger sea-fowl, whose attention having been attracted by the peculiar commotion in the water resulting from the heavy sloped dive of the shotted hammock into the sea, flew screaming to the spot. So near the hull did they come, that the stridor or bony creak of their gaunt double-jointed pinions was audible. As the ship under light airs passed on, leaving the burial-spot astern, they still kept circling it low down with the moving shadow of their outstretched wings and the croaked requiem of their cries.'
Herman Melville, 'Billy Budd, Sailor (An Inside Narrative)', in Billy Budd, Sailor and Selected Stories, publisher: Oxford University Press